From 9 April to 31 August 2025, the Musée Marmottan Monet presents the exhibition ‘Eugène Boudin, the father of Impressionism: a private collection’.
Collector Yann Guyonwarc’h has assembled a collection of works by Eugène Boudin (1824 – 1898) that is unrivalled in any museum in the world. Every facet of the artist’s career is represented, from his first paintings in Le Havre to his final trip to Venice; from private sketches to paintings for the Salon (including one of the two largest beach scenes ever painted by Boudin). The works in this prestigious collection are matched with the holdings of the Musée Marmottan Monet, to highlight the dialogue between Boudin and his main pupil, Claude Monet. Thanks to the participation of the Durand-Ruel archives, the relationship between the two artists and their main dealer is also explored.
Since 2019, the museum has invited a contemporary artist to come and dialogue with its collection. For the ninth edition of these “Unexpected Dialogues.”, it has chosen to invite Françoise Pétrovitch. A major artist on the French and international art scene. In this “Unexpected Dialogue”, presented from April 9 to September 14, 2025, she has chosen another woman artist, Berthe Morisot, with whom she shares the themes of portraiture, childhood, adolescence and intimacy. Here, the parallel between Morisot’s Roses trémières and Pétrovitch’s Soleils highlights another bridge between the two painters: the very embodied, interior relationship with nature.
